Because of course I lied. I do that, sometimes, to make things easier on a person. It's lying for a good cause, I say, but then they're all from the same mixed bag of deceit, so what odds? It's funny how hard it is to put into words exactly what you feel, because what if you say too much, or too less, or, God forbid, the entirely wrong thing? One wishes not to drive away good company, but then one does it in spite of oneself. One is me, in case you were wondering.
And it's odd what you can do with letters that you can't when faced with a real person. Perhaps it is that letters are easier than live conversation, because you can hide behind a flow of words that twist and turn to suit your whims. We did have nice conversations, though, didn't we?
And it's odd that we have never spoken, isn't it? And a minute on a phone, or an hour of introductions - they don't count, really. Those are just excuses for occupying the same space. And it's funny because of all the people I ever found, you were the one most easy to write to. You were the one made me most prolific; the one to whom I wrote the most, the one about whom I wrote the most. Perhaps it's just as well. Perhaps I don't need to talk to you. Perhaps I won't sit across from you in a coffee house, or walk with you all around town, or sit with you on terraces in the middle of the night. Perhaps we'll never talk. It's okay, really, because I have other people to do those things with, don't I? But I still regret the dancing.
And papa Santa.
But of course there's no reason for writing beyond the writing itself. Like an over whelming urge to reach out and touch someone who, for a long time, occupied space in your head. There's no sense to anything at all anyway. And being myself never got me anything or anywhere, even. As long as I'm writing I can impress them, but then I talk, and it's as though all the things I need to believe about myself I don't; and all the things I do believe in are all the wrong things; and in the end I'm just not what they were looking for. How do you sell yourself with only the truth?
It doesn't work that way, does it?
Perhaps it's just perversion, the need to write to people, at people. Perhaps it's cruel to send people disconnected snatches of thought and call them letters, but what's the point of sticking to a structure when all you get in return are the same old sentences from everyone anyway? What's the idea with a set of instructions that tell someone exactly how they have to react? So this morning I wrote to four people and told them nothing, narrated no incident, revealed no theory. I said no hellos and I asked no questions and I sent no signals.
And this is where I find my fun.
It's odd what gets people. And what gets at people. I glad one of the four read this. It makes the gesture that much more worthwhile.
Was it really that hard to understand?
And it's odd that we have never spoken, isn't it? And a minute on a phone, or an hour of introductions - they don't count, really. Those are just excuses for occupying the same space. And it's funny because of all the people I ever found, you were the one most easy to write to. You were the one made me most prolific; the one to whom I wrote the most, the one about whom I wrote the most. Perhaps it's just as well. Perhaps I don't need to talk to you. Perhaps I won't sit across from you in a coffee house, or walk with you all around town, or sit with you on terraces in the middle of the night. Perhaps we'll never talk. It's okay, really, because I have other people to do those things with, don't I? But I still regret the dancing.
And papa Santa.
But of course there's no reason for writing beyond the writing itself. Like an over whelming urge to reach out and touch someone who, for a long time, occupied space in your head. There's no sense to anything at all anyway. And being myself never got me anything or anywhere, even. As long as I'm writing I can impress them, but then I talk, and it's as though all the things I need to believe about myself I don't; and all the things I do believe in are all the wrong things; and in the end I'm just not what they were looking for. How do you sell yourself with only the truth?
It doesn't work that way, does it?
Perhaps it's just perversion, the need to write to people, at people. Perhaps it's cruel to send people disconnected snatches of thought and call them letters, but what's the point of sticking to a structure when all you get in return are the same old sentences from everyone anyway? What's the idea with a set of instructions that tell someone exactly how they have to react? So this morning I wrote to four people and told them nothing, narrated no incident, revealed no theory. I said no hellos and I asked no questions and I sent no signals.
And this is where I find my fun.
It's odd what gets people. And what gets at people. I glad one of the four read this. It makes the gesture that much more worthwhile.
Was it really that hard to understand?
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